Asian American and Pacific Islander Heritage Month: Virtual Book Display

New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It's a rich man's car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family -- loved by some, loathed by others, feared by all. In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family's ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters' connections become a path to escape, or a trigger of further destruction?  Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She's moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women--soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It's then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant's journey to make her home in the world.

Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he'll enroll in Oxford University's prestigious Royal Institute of Translation--also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working--the art of manifesting the meaning lost in translation using enchanted silver bars--has made the British unparalleled in power, as its knowledge serves the Empire's quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide... Can powerful institutions be changed from within, or does revolution always require violence? 

One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies a myth--and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family's history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood.

Set during a time of political upheaval and civil unrest, The Betrayed tells a sensual and sprawling story about two sisters who love the same man. Passionately told, and portraying a Philippines rarely seen in fiction, Reine Archache Melvin's American debut is a gripping, sensual story that readers will not soon forget. Shy, idealistic Pilar is resolved to carry on her dead father's fight against the dictatorial regime in control of their homeland, while her flamboyant older sister Lali reacts to their father's death by marrying the enemy--Arturo, the dictator's godson. Each sister is prey to her desires and ambitions as she tries to find her place in a rapidly changing world. Taking in the Philippines' troubled history from the Marcos dictatorship to the establishment of the current autocratic regime, and expertly layering into this timely story many aspects of the human condition, The Betrayed is a complex and luminous novel.

A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both--the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.   At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.   And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter.   With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki--bold, wise, poignant, playful, humane and heartbreaking.

A novel about two teenage lovers who disrupt a World War II internment camp in Arizona   Kane Araki and Margaret Morri are not only the names of teenage lovers living in a World War II Japanese relocation camp. Kane Araki is also the name of a man who, mysteriously, sprouts a pair of black raven's wings overnight. Margaret Morri is the name of the aging healer who treats embarrassing conditions (smelly feet and excessive flatulence). It's also the name of an eleven-year-old girl who communes with the devil, trading human teeth for divine wishes.   In The Book of Kane and Margaret, dozens of Kane Arakis and Margaret Morris populate the Canal and Butte camp divisions in Gila River. Amidst their daily rituals and family dramas, they find ways to stage quiet revolutions against a domestic colonial experience. Some internees slip through barbed wire fences to meet for love affairs. Others attempt to smuggle whiskey, pornography, birds, dogs, horses, and unearthly insects into their family barracks. And another seeks a way to submerge the internment camp in Pacific seawater.  

Four days before Christmas, 8-year-old Bo loses his mother in a tragic accident, 28-year-old Brandon loses his job after a hostile takeover of his big-media employer, and 48-year-old Blue, a key witness in a criminal trial against an infamous now-defunct tech startup, struggles to reconnect with his family. So begins Jinwoo Chong’s dazzling, time-bending debut that blends elements of neo-noir and speculative fiction as the lives of Bo, Brandon, and Blue begin to intersect, uncovering a vast network of secrets and an experimental technology that threatens to upend life itself. Intertwined with them is the saga of an iconic ’80s detective show, Raider, whose star actor has imploded spectacularly after revelations of long-term, concealed abuse. Flux is a haunting and sometimes shocking exploration of the cyclical nature of grief, of moving past trauma, and of the pervasive nature of whiteness within the development of Asian identity in America.

A boy searches for his father, a prison guard, on Sakhalin Island. In Barcelona, a woman is tasked with spying on a prizefighter who may or may not be her estranged son. A samurai escorts an orphan to his countrymen in the Edo Period. A formerly incarcerated man starts a new life in a small town in upstate New York and attempts to build a family. The Hive and the Honey is a "virtuosic" (Vanity Fair) collection by celebrated author Paul Yoon, one that portrays the vastness and complexity of diasporic communities, with each story bringing to light the knotty inheritances of their characters. How does a North Korean defector connect with the child she once left behind? What are the traumas that haunt a Korean settlement in Far East Russia? "Absorbing...Yoon details fully realized and flawed characters attempting to wade through the complexities of immigrant life...[and] asks urgent questions about what it really means to belong somewhere." --Time, 100 Must-Read Books of 2023

In this anthology of contemporary eco-literature, the editors have gathered an ensemble of a hundred emerging, mid-career, and established Indigenous writers from Polynesia, Melanesia, Micronesia, and the global Pacific diaspora. This book itself is an ecological form with rhizomatic roots and blossoming branches. Within these pages, the reader will encounter a wild garden of genres, including poetry, chant, short fiction, novel excerpts, creative nonfiction, visual texts, and even a dramatic play--all written in multilingual offerings of English, Pacific languages, pidgin, and translation. Seven main themes emerge: "Creation Stories and Genealogies," "Ocean and Waterscapes," "Land and Islands," "Flowers, Plants, and Trees," "Animals and More-than-Human Species," "Climate Change," and "Environmental Justice." This aesthetic diversity embodies the beautiful bio-diversity of the Pacific itself. The urgent voices in this book call us to attention--to action!--at a time of great need. Pacific ecologies and the lives of Pacific Islanders are currently under existential threat due to the legacy of environmental imperialism and the ongoing impacts of climate change. While Pacific writers celebrate the beauty and cultural symbolism of the ocean, islands, trees, and flowers, they also bravely address the frightening realities of rising sea levels, animal extinction, nuclear radiation, military contamination, and pandemics. Indigenous Pacific Islander Eco-Literatures reminds us that we are not alone; we are always in relation and always ecological. Humans, other species, and nature are interrelated; land and water are central concepts of identity and genealogy; and Earth is the sacred source of all life, and thus should be treated with love and care. With this book as a trusted companion, we are inspired and empowered to reconnect with the world as we navigate towards a precarious yet hopeful future.

"A bravura performance."--The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines' present and America's past by the PEN Open Book Award-winning author of Gun Dealers' Daughter.   Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte's Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator--one about a white photographer, the other about a Filipino schoolteacher.   Within the spiraling voices and narrative layers of Insurrecto are stories of women--artists, lovers, revolutionaries, daughters--finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino's If on a Winter's Night a Traveler, Julio Cortázar's Hopscotch, and Nabokov's Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu's sons, a gift to commemorate their return from British captivity. His fate--and the fate of the wooden tiger he helps create--will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe. Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate.  When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu's palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.

Lucas and Margo are fed up. Margo is a brilliant programmer tired of being talked over as the company's sole black employee, and while Lucas is one of many Asians at the firm, he's nearly invisible as a low-paid customer service rep. Together, they decide to steal their tech start-up's user database in an attempt at revenge. The heist takes a sudden turn when Margo dies in a car accident, and Lucas is left reeling, wondering what to do with their secret--and wondering whether her death really was an accident. When Lucas hacks into Margo's computer looking for answers, he is drawn into her secret online life and realizes just how little he knew about his best friend. With a fresh voice, biting humor, and piercing observations about human nature, Kevin Nguyen brings an insider's knowledge of the tech industry to this imaginative novel. A pitch-perfect exploration of race and start-up culture, secrecy and surveillance, social media and friendship, New Waves asks- How well do we really know each other? And how do we form true intimacy and connection in a tech-obsessed world?

"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature,? writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life ?no-no boys.' Yamada answered ?no? twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro's ?obsessive, tormented? voice subverts Japanese postwar ?model-minority? stereotypes, showing a fractured community and one man's ?threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world.' The first edition of No-No Boy since 1979 presents this important work to new generations of readers.

Award-winning videomaker, performance artist, and pop-culture provocateur Kip Fulbeck has captivated audiences worldwide with his mixture of highcomedy and personal narrative. In Paper Bullets, his first novel, Fulbeck taps into his Cantonese, English, Irish, and Welsh heritage, weaving a fictional autobiography from 27 closely linked stories, essays, and confessions. By turns sensitive and forceful, passionate and callous, Fulbeck confronts the politics of race, sex, and Asian American masculinity head-on without apology, constantly questioning where Hapas fit in a country that ignores multiracial identity. Raised in southern California by a Chinese-born mother and a Caucasian father, Fulbeck pushes the conventions of literary form as he simultaneously draws from, recreates, and fabricates his own life history. His range of experiences--from college professor to youth outreach volunteer, blues player to surfer and lifeguard--informs his witty and humane writing. Like himself, his protagonist is a young man shaped by the conflicting mores, stigmas, desires, and codes of male conduct in America. He searches for and mismanages love and independence, continually experimenting with sex along the way. Sometimes hilarious, always heartfelt, surfing the trivia of pop culture and sound bits, his inner voice shifts continually among the real, the perceived, and the imagined.

Frida Liu is struggling. She doesn't have a career worthy of her Chinese immigrant parents' sacrifices. She can't persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough. Until Frida has a very bad day. The state has its eye on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgement, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother's devotion. Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good. An "intense" (Oprah Daily), "captivating" (Today) page-turner that is also a transgressive novel of ideas about the perils of "perfect" upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

Winner of the 2016 Pulitzer Prize, a startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War. The winner of the 2016 Pulitzer Prize for Fiction, as well as seven other awards, The Sympathizer is the breakthrough novel of the year. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Saul Bellow, The Sympathizer is a sweeping epic of love and betrayal. The narrator, a communist double agent, is a "man of two minds," a half-French, half-Vietnamese army captain who arranges to come to America after the Fall of Saigon, and while building a new life with other Vietnamese refugees in Los Angeles is secretly reporting back to his communist superiors in Vietnam.  The Sympathizer is a blistering exploration of identity and America, a gripping espionage novel, and a powerful story of love and friendship.

In 1980, young lovers Pea and Nam arrive in Bangkok in search of a life, and a world, beyond Thailand's rural outskirts. Thirty days, they promise each other. Thirty days for Pea to find work, for him to put aside his violent and unstable past and take root in this strange new land. But Bangkok does not want for male laborers, especially teenage boys with thick provincial accents, and when time finally runs out on their promise, it's Nam who ultimately adapts to the capital's ruthless logic and survives. Spanning decades and perspectives, seamlessly shifting between the absurd and the tenderhearted, the interwoven stories of Welcome Me to the Kingdom introduce three families--Nam, her American husband, Rick, and their daughter, Lara; Vitat, a Thai Elvis impersonator, and his only daughter, Pinky; and Tintin and Benz, orphans who have adopted each other as brothers--who employ various schemes to lie, betray, and seduce their way to the "good life." These disparate citizens of Bangkok orbit each other over the next three decades--sometimes violently, passionately colliding. Through skin-whitening routines, cult conversion, gambling, and sex work, the collection's characters look for reinvention in a city buckling under the weight of its own modernity. Wildly imaginative and ambitious, Mai Nardone's stories reveal the growing discrepancy between Bangkok's smiling self-image and its ugly underbelly, and, in the process, offer a striking portrait of a city unmade by the whims of global capitalism, in a kingdom caught between this world and the next.

Twenty-one-year-old Reed is fed up. Angry about the killing of a Black man by an Asian American NYPD officer, he wants to drop out of college and devote himself to the Black Lives Matter movement. But would that truly bring him closer to the moral life he seeks? In a series of intimate, charged conversations, his mother—once the leader of a Korean-Black coalition—demands that he rethink his outrage, and along with it, what it means to be an organizer, a student, an ally, an American, and a son. As Reed zips around his hometown of Los Angeles with his mother, searching and questioning, he faces a revelation that will change everything. Inspired by his family’s roots in activism, Ryan Lee Wong offers an extraordinary debut novel for readers of Anthony Veasna So, Rachel Kushner, and Michelle Zauner: a book that is as humorous as it is profound, a celebration of seeking a life that is both virtuous and fun, an ode to mothering and being mothered.

In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

"I may have been like other boys, but there was a major difference -- my family included 80 to 100 single young men residing in a Filipino farm-labor camp. It was as a 'campo' boy that I first learned of my ancestral roots and the sometimes tortuous path that Filipinos took in sailing halfway around the world to the promise that was America. It was as a campo boy that I first learned the values of family, community, hard work, and education. As a campo boy, I also began to see the two faces of America, a place where Filipinos were at once welcomed and excluded, were considered equal and were discriminated against. It was a place where the values of fairness and freedom often fell short when Filipinos put them to the test.""-- Peter Jamero Peter Jamero's story of hardship and success illuminates the experience of what he calls the "bridge generation" -- the American-born children of the Filipinos recruited as farm workers in the 1920s and 30s. Their experiences span the gap between these early immigrants and those Filipinos who owe their U.S. residency to the liberalization of immigration laws in 1965. His book is a sequel of sorts to Carlos Bulosan's America Is in the Heart, with themes of heartbreaking struggle against racism and poverty and eventual triumph.Jamero describes his early life in a farm-labor camp in Livingston, California, and the path that took him, through naval service and graduate school, far beyond Livingston. A longtime community activist and civic leader, Jamero describes decades of toil and progress before the Filipino community entered the sociopolitical mainstream. He shares a wealth of anecdotes and reflections from his career as an executive of health and human service programs in Sacramento, Washington, D.C., Seattle, and San Francisco.

As a young femme in 1990s Manila, Geena Rocero heard, "Bakla, bakla!," a taunt aimed at her feminine sway, whenever she left the tiny universe of her eskinita. Eventually, she found her place in trans pageants, the Philippines' informal national sport. When her competitors mocked her as a "horse Barbie" due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet. By seventeen, she was the Philippines' highest-earning trans pageant queen. A year later, Geena moved to the United States where she could change her name and gender marker on her documents. But legal recognition didn't mean safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom at the expense of another. For a while, it worked. She became an in-demand model. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self yet had to remain vigilant in order to protect her dream career. The high-stakes double life finally forced Geena to decide herself if she wanted to reclaim the power of Horse Barbie once and for all- radiant, head held high, and unabashedly herself. A dazzling testimony from an icon who sits at the center of transgender history and activism, Horse Barbie is a celebratory and universal story of survival, love, and pure joy.

As the only child of a single mother in Queens, Ava Chin found her family's origins to be shrouded in mystery. She had never met her father, and her grandparents' stories didn't match the history she read at school. Mott Street traces Chin's quest to understand her Chinese American family's story. Over decades of painstaking research, she finds not only her father but also the building that provided a refuge for them all. Breaking the silence surrounding her family's past meant confronting the Chinese Exclusion Act of 1882--the first federal law to restrict immigration by race and nationality, barring Chinese immigrants from citizenship for six decades. Chin traces the story of the pioneering family members who emigrated from the Pearl River Delta, crossing an ocean to make their way in the American West of the mid-nineteenth century. She tells of their backbreaking work on the transcontinental railroad and of the brutal racism of frontier towns, then follows their paths to New York City. In New York's Chinatown she discovers a single building on Mott Street where so many of her ancestors would live, begin families, and craft new identities. She follows the men and women who became merchants, "paper son" refugees, activists, and heads of the Chinese tong, piecing together how they bore and resisted the weight of the Exclusion laws. She soon realizes that exclusion is not simply a political condition but also a personal one. Gorgeously written, deeply researched, and tremendously resonant, Mott Street uncovers a legacy of exclusion and resilience that speaks to the American experience, past and present.

In Chinese, the closest expression to oh my god is wo de ma ya. It's an interjection, a polite expletive, something to say when you're out of words. Translated literally, it means oh my mother--the instinctual first person you think of when you're on the cusp of losing it, or putting it all together. In each essay of this hilarious, heartfelt, and pitch-perfectly honest memoir, journalist Connie Wang explores her complicated relationship to her stubborn and charismatic mother, Qing Li, through the "oh my god" moments in their travels together. From attending a Magic Mike strip show in Vegas to experimenting with edibles in Amsterdam to flip-flopping through Versailles, this iconic mother-daughter duo venture into the world to find their place in it, and sometimes rail against it--as well as against each other. There are hijinks, capers, and adventures. There is also tenderness, growth, and discovery. In telling these stories about the places they've gone and the things they've done, Wang reveals another story: the true story of two women who finally learned that once we are comfortable with the feeling of not belonging--once we can reject the need to belong to any place, community, census, designation, or nation--we can experience something almost like freedom.

An astounding new set of biographical portraits in Japanese American history Through stories of remarkable people in Japanese American history, The Unknown Great illuminates the diversity of the Nikkei experience from the turn of the twentieth century to the present day. Acclaimed historian and journalist Greg Robinson delves into a range of themes from race and interracial relationships to sexuality, faith, and national identity. In accessible short essays drawn primarily from his newspaper columns, Robinson examines the longstanding interactions between African Americans and Japanese Americans, the history of LGBTQ+ Japanese Americans, religion in Japanese American life, mixed-race performers and political figures, and more. This collection is sure to entertain and inform readers, bringing fresh perspectives and unfamiliar stories from Japanese American history and centering the lives of unheralded figures who left their mark on American life.

"Take your time with these poems, and return to them often." --The Washington Post The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong How else do we return to ourselves but to fold The page so it points to the good part   In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.   The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

As the seas rise, the fight intensifies to save the Pacific Ocean's Marshall Islands from being devoured by the waters around them. At the same time, activists are raising their poetic voices against decades of colonialism, environmental destruction, and social injustice. Marshallese poet and activist Kathy Jetnil-Kijiner's writing highlights the traumas of colonialism, racism, forced migration, the legacy of American nuclear testing, and the impending threats of climate change. Bearing witness at the front lines of various activist movements inspires her work and has propelled her poetry onto international stages, where she has performed in front of audiences ranging from elementary school students to more than a hundred world leaders at the United Nations Climate Summit. The poet connects us to Marshallese daily life and tradition, likening her poetry to a basket and its essential materials. Her cultural roots and her family provides the thick fiber, the structure of the basket. Her diasporic upbringing is the material which wraps around the fiber, an essential layer to the structure of her experiences. And her passion for justice and change, the passion which brings her to the front lines of activist movements--is the stitching that binds these two experiences together. Iep Jāltok will make history as the first published book of poetry written by a Marshallese author, and it ushers in an important new voice for justice.